Hans Richter

Personal Info

Known For Director

Gender Male

Birthday 1888-04-06

Deathday 1976-02-01 (87 years old)

Place of Birth Berlin, Germany

Hans Richter

Biography

Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutscher Herbstsalon" gallery "Der Strum", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin. His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and discharged from the army and went to Zürich and joined the Dada movement. Richter believed that the artist's duty was to be actively political, opposing war and supporting the revolution. His first abstract works were made in 1917. In 1918, he befriended Viking Eggeling, and the two experimented together with film. Richter was co-founder, in 1919, of the Association of Revolutionary Artists at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl. Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. This claim is not true: he was preceded by the Italian Futurist Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film. Richter moved from Switzerland to the United States in 1940 and became an American citizen. He taught in the Institute of Film Techniques at the City College of New York. While living in New York City, Richter directed two feature films, Dreams That Money Can Buy (1947) and 8 x 8: A Chess Sonata in 8 Movements (1957) in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Léger, Alexander Calder, Marcel Duchamp, and others, which was partially filmed on the lawn of his summer house in Southbury, Connecticut. In 1957, he finished a film entitled Dadascope with original poems and prose spoken by their creators. After 1958, Richter spent parts of the year in Ascona and Connecticut and returned to painting. In 1963, he directed the short film "From the Circus to the Moon" on the American artist Alexander Calder. Richter died in Minusio, Switzerland in 1976.

Known For

Director

1961
Dadascope

as Director

1955
Die Husaren kommen

as Director

1954
Passionate Pastime

as Director

1933
Metall

as Director

1931
Europa Radio

as Director

1930
The New Apartment

as Director

1930
Neues Leben

as Director

1929
Two Pence Magic

as Director

1929
Every Day

as Director

1928
1928
Race Symphony

as Director

1928
Inflation

as Director

1926
Film Study

as Director

1923
Rhythm 23

as Director

1921
Rhythm 21

as Director

Writer

1933
1933
Metall

as Writer

1930
1930
Neues Leben

as Screenplay

1929
Every Day

as Writer

1929
Two Pence Magic

as Writer

1928
Race Symphony

as Writer

1928
Inflation

as Writer

1926
Film Study

as Writer

Editor

1961
Dadascope

as Editor

1928
Race Symphony

as Editor

1928
Inflation

as Editor

Producer

1928
1928
Race Symphony

as Producer

1928
Inflation

as Producer

Sound

1929
Every Day

as Sound

Crew

1961
Dadascope

as Poem

Art

1928
Inflation

as Art Direction