H.M. Walker

Personal Info

Known For Writer

Gender Male

Birthday 1878-06-27

Deathday 1937-06-23 (58 years old)

Place of Birth West Middlebury, Ohio, USA

Also Known As H.W. Walker, Harley M. Walker

H.M. Walker

Biography

WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack. From Wikipedia, the free encyclopedia Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation. On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M. Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).

Known For

Writer

1935
1934
Them Thar Hills

as Writer

1933
Her First Mate

as Screenplay

1932
1932
Any Old Port!

as Writer

1932
The Chimp

as Writer

1932
What Price Taxi

as Dialogue

1932
What Price Taxi

as Writer

1932
1932
Red Noses

as Dialogue

1932
1932
The Old Bull

as Dialogue

1932
Alum and Eve

as Dialogue

1932
The Music Box

as Writer

1932
County Hospital

as Writer

1932
Scram!

as Writer

1932
First in War

as Dialogue

1932
Young Ironsides

as Dialogue

1932
Girl Grief

as Dialogue

1932
The Music Box

as Dialogue

1932
Scram!

as Dialogue

1932
Helpmates

as Dialogue

1932
The Tabasco Kid

as Writer

1932
The Pooch

as Writer

1932
Choo-Choo!

as Writer

1932
Spanky

as Writer

1932
1932
Show Business

as Dialogue

1932
County Hospital

as Dialogue

1932
You're Telling Me

as Dialogue

1932
Free Eats

as Writer

1931
Be Big!

as Writer

1931
On the Loose

as Writer

1931
Beau Hunks

as Writer

1931
Our Wife

as Dialogue

1931
1931
War Mamas

as Dialogue

1931
The Pajama Party

as Dialogue

1931
Let's Do Things

as Dialogue

1931
The Chiselers

as Writer

1931
Catch-As Catch-Can

as Dialogue

1931
Thundering Tenors

as Dialogue

1931
1931
Messing Around

as Writer

1931
Rough Seas

as Dialogue

1931
One of the Smiths

as Dialogue

1931
Skip the Maloo!

as Dialogue

1931
What a Bozo!

as Dialogue

1931
Hasty Marriage

as Dialogue

1931
Come Clean

as Dialogue

1931
One Good Turn

as Dialogue

1931
Chickens Come Home

as Dialogue

1931
Helping Grandma

as Writer

1931
1931
Love Business

as Writer

1931
Little Daddy

as Writer

1931
Pardon Us

as Dialogue

1931
1931
Call a Cop!

as Dialogue

1930
Night Owls

as Writer

1930
Dollar Dizzy

as Dialogue

1930
1930
The Shrimp

as Writer

1930
The King

as Writer

1930
The Head Guy

as Writer

1930
The Big Kick

as Writer

1930
Below Zero

as Dialogue

1930
Hog Wild

as Dialogue

1930
The Night Life

as Writer

1930
Dollar Dizzy

as Story

1930
Hog Wild

as Writer

1930
All Teed Up

as Dialogue

1930
The golf player

as Writer

1930
The golfer

as Writer

1930
Fast Work

as Dialogue

1930
Girl Shock

as Writer

1930
Follies of love

as Writer

1930
Gold Diggers

as Story

1930
1930
High C's

as Dialogue

1930
Blotto

as Dialogue

1930
Brats

as Dialogue

1930
Shivering Shakespeare

as Story Editor

1930
The First Seven Years

as Story Editor

1930
When the Wind Blows

as Story Editor

1930
Teacher's Pet

as Dialogue

1930
Whispering Whoopee

as Dialogue

1930
Night of Goblins

as Dialogue

1930
Bear Shooters

as Story Editor

1930
Another Fine Mess

as Dialogue

1930
School's Out

as Dialogue

1930
Doctor's Orders

as Writer

1929
Big Business

as Writer

1929
Liberty

as Writer

1929
Double Whoopee

as Writer

1929
Men O'War

as Writer

1929
Boxing Gloves

as Dialogue

1929
Small Talk

as Dialogue

1929
Skirt Shy

as Story

1929
1929
Wrong Again

as Writer

1929
Angora Love

as Other

1929
Hotter Than Hot

as Writer

1929
Moan & Groan, Inc.

as Story Editor

1929
Bouncing Babies

as Story Editor

1929
Crazy Feet

as Scenario Writer

1929
Sky Boy

as Writer

1928
1928
1928
1928
Came the Dawn

as Writer

1928
Playin' Hookey

as Writer

1928
Early to Bed

as Writer

1928
1927
1927
Sugar Daddies

as Writer

1927
1927
1927
1927
1926
1926
Get 'Em Young

as Writer

1926
Good Cheer

as Writer

1925
Papa Be Good!

as Writer

1925
Black Cyclone

as Writer

1924
Just a Good Guy

as Writer

1924
1924
1923
Heavy Seas

as Writer

1923
1923
Mother's Joy

as Writer

1923
The Whole Truth

as Writer

1922
Grandma's Boy

as Writer

1921
Now or Never

as Writer

1921
Never Weaken

as Writer

1920
1920
Number, Please?

as Writer

1920
Haunted Spooks

as Writer

1920
1920
1920
High and Dizzy

as Writer

1919
Ask Father

as Writer

1919
1919
Heap Big Chief

as Dialogue

1919
Chop Suey & Co.

as Writer

1918
1918
1918
The Tip

as Dialogue

1918
Beat It

as Dialogue

1918
1917
We Never Sleep

as Writer

1917
All Aboard

as Writer

1917
Clubs Are Trump

as Writer

1917
The Flirt

as Writer

1917
Rainbow Island

as Writer

1917
Bliss

as Writer

1917
1917
1917
Step Lively

as Writer

Crew

1934
Love Birds

as Additional Dialogue

1928
Should Tall Men Marry?

as Title Graphics

1927
The Second Hundred Years

as Title Graphics

1926
Wise Guys Prefer Brunettes

as Title Graphics

1925
Dog Days

as Title Graphics

1923
Dogs of War!

as Title Graphics

1923
The Soilers

as Title Graphics

1919
From Hand to Mouth

as Title Graphics

1919
Count Your Change

as Title Graphics

1919
Don't Shove

as Title Graphics

1919
Captain Kidd's Kids

as Title Graphics

Art

1929
Berth Marks

as Title Designer

1927
The Battle of the Century

as Title Designer

1927
Hats Off

as Title Designer

1926
Wandering Papas

as Title Designer

1926
Thundering Fleas

as Title Designer

1926
Along Came Auntie

as Title Designer

1926
Crazy Like a Fox

as Title Designer

1926
Bromo and Juliet

as Title Designer

1925
Should Sailors Marry?

as Title Designer

1922
Dr. Jack

as Title Designer