Josephine Lovett

Personal Info

Known For Writer

Gender Female

Birthday 1877-10-21

Deathday 1958-09-17 (80 years old)

Place of Birth San Francisco, California, USA

Also Known As Josephine Shaw

Josephine Lovett

Biography

From Wikipedia, the free encyclopedia Josephine Lovett (21 October 1877 – 17 September 1958) was an American scenario writer, adapter, screenwriter and actress, active in films from 1916 to 1935. She was married to Canadian-born director, John Stewart Robertson. She is best known for her then-risqué film Our Dancing Daughters in 1928. Her screenplays typically included a heroine who was oftentimes economically and sexually independent. Josephine, also known as Mrs. John Stewart Robertson, was born October 21, 1877 in San Francisco, California. Although she later returned to California, she temporarily moved to New York, New York, where she started her career as a successful stage actress at Haverly’s 14th Street Theatre, on Sixth Avenue. Her husband also worked as a stage actor briefly at Haverly’s 14th Street in 1903. Lovett worked as a stage actress from 1899-1906 and made a motion picture appearance as an actress in 1916. She played the character of “Rachel Blake” in the 1916 drama entitled The Ninety and Nine, directed by Ralph Ince at the Vitagraph Company. Prior to her involvement in the film industry, Lovett was a Broadway actress appearing in various plays from 1899 to 1915. One popular play was 1901's Tom Moore starring Andrew Mack. Josephine was one of the most prominent female writers of her time. She was known for her ability to capture female audiences while simultaneously appeasing censors. By doing so, she along with the other female screenwriters of her generation, helped elaborate the modernization of American mentality from Victorianism to the flapper. Her screenplays and scenarios consisted of sexually suggestive material, just skirting censors. She is best known for her 1930 Academy Award-nominated film Our Dancing Daughters, produced by the Metro-Goldwyn-Mayer Company and novelized by Winifred Van Duzer. The 1928 drama was famous actress Joan Crawford’s breakthrough role, where she played Diana Medford, also known as “Dangerous Diana”, a young rebellious woman representing Lovett’s typical risqué content and visuals. The film’s plot surrounds the flamboyant and wild lifestyle of best friends Diana and Ann, who are in love with the same man. Critics and reviews mentioned the viewing of exposed “undies and much stocking”, and complained that “cocktails, flasks and mad dancing appear in quite a number of episodes [and] it is quite unnecessary to depict an intoxicated girl, as is done for a considerable length of this film”. Lovett and her husband collaborated for her final film, Captain Hurricane, in 1935. The RKO Radio Pictures-produced film was based on the life of a fisherman living in Cape Cod, Massachusetts. Robertson ended his directing career later that same year with the film Our Little Girl, starring the famous Shirley Temple. Lovett and her husband retired to Rancho Santa Fe, California, where she assisted Robertson with the establishment of the Rancho Riding Club in 1945. Thirteen years later, Lovett died at the age of eighty in Rancho Santa Fe, on September 17, 1958, six years before her beloved husband’s death in 1964. The couple are buried at the Mount Pleasant Cemetery in Ontario, Canada.

Known For

Writer

1938
The Road to Reno

as Screenplay

1935
Captain Hurricane

as Screenplay

1934
Two Alone

as Screenplay

1933
Jennie Gerhardt

as Writer

1932
Hot Saturday

as Adaptation

1932
1932
Madame Butterfly

as Screenplay

1932
Thunder Below

as Writer

1931
Corsair

as Screenplay

1930
What a Widow!

as Story

1929
1929
The Single Standard

as Adaptation

1929
1929
Our Modern Maidens

as Screenplay

1927
Annie Laurie

as Screenplay

1927
The Bugle Call

as Writer

1925
Shore Leave

as Writer

1925
Soul-Fire

as Writer

1925
New Toys

as Writer

1924
Classmates

as Writer

1924
1923
1923
The Rendezvous

as Writer

1922
1922
Tess of the Storm Country

as Scenario Writer

1922
Outcast

as Screenplay

1921
1921
Footlights

as Scenario Writer

1921
Footlights

as Writer

1920