Stefano Miraglia

Personal Info

Known For Director

Gender Male

Birthday 1988-01-09 (36 years old)

Place of Birth Málaga, Spain

Stefano Miraglia

Biography

Stefano Miraglia (Málaga, 1988) is an Italian-Spanish artist, curator and writer based in Paris. His activities focus on artists’ film and video. Often composed from diaristic and archival images, his films explore the notion of collage in cinema, combining noise music, photography, documentary and abstraction. His work has been presented internationally in exhibition spaces such as the Taiwan Contemporary Culture Lab (Taipei), Fabrica research center (Treviso), Le dôme (Montbazon), Centrum (Berlin) and in numerous film festivals such as Prismatic Ground, ICDOCS, Vienna Shorts and Festival des Cinémas Différents et Expérimentaux de Paris - where his film Anoche received an award in 2017. His work is distributed by Collectif Jeune Cinéma. Since 2018 he has curated and presented several programs of experimental and artists’ films. Stefano is the founder and principal curator of Movimcat, an online project for the dissemination of artist’s cinema. Since 2019 he has been working on the rediscovery and reappraisal of the work of Ellis Donda. Stefano Miraglia is a member of the French association of art curators C|E|A.

Known For

Director

2022
I'll See You Again

as Director

2021
Collage

as Director

2021
2021
2021-1985

as Director

2020
Perenne

as Director

2020
Thick Air

as Director

2017
Ramusiana

as Director

2017
Rodez

as Director

2017
Anoche

as Director

2016
Untitled / Aubrac

as Director

2016
Claire

as Director

2015
Self-portrait

as Director

2014
2014
Katokino

as Director

2013

Editor

2023
Grotta

as Editor

2022
2021
Screen Glare

as Editor

2021
2021
Collage

as Editor

2021
2021-1985

as Editor

2020
Thick Air

as Editor

2020
Perenne

as Editor

2017
Rodez

as Editor

2017
Ramusiana

as Editor

2017
Anoche

as Editor

Sound

2020
Thick Air

as Music

2017
Anoche

as Music

2014
Brutalism

as Music

2014
Katokino

as Music

Crew

2020
Thick Air

as Cinematography