Edgar G. Ulmer

Personal Info

Known For Director

Gender Male

Birthday 1904-09-17

Deathday 1972-09-30 (68 years old)

Place of Birth Olmütz, Moravia, Austria-Hungary [now Olomouc, Czech Republic]

Also Known As John Warner, Edgar George Ulmer, Edgar Georg Ulmer, Ove H. Sehested

Edgar G. Ulmer

Biography

​From Wikipedia, the free encyclopedia.   Edgar Georg Ulmer (September 17, 1904 – September 30, 1972) was an Austrian-American film director. He is best remembered for the movies The Black Cat (1934) and Detour (1945). These stylish and eccentric works have achieved cult status, whereas Ulmer's other films remain relatively unknown. The first feature he directed in North America, Damaged Lives (1933), was a low-budget exploitation film exposing the horrors of venereal disease. His next film, The Black Cat (1934), starring Béla Lugosi and Boris Karloff, was made for a major studio, Universal Pictures. Demonstrating the striking visual style that would be Ulmer's hallmark, the film was Universal's biggest hit of the season. Ulmer, however, had begun an affair with Shirley Beatrice Kassler, who had been married since 1933 to independent producer Max Alexander, nephew of Universal studio head Carl Laemmle. Kassler's divorce in 1936 and her marriage to Ulmer later the same year led to his being exiled from the major Hollywood studios. Ulmer was relegated to making B movies at Poverty Row production houses. His wife, now Shirley Ulmer, acted as script supervisor on nearly all of these films, and she wrote the screenplays for several. Their daughter, Arianne, appeared as an extra in several of his films. Consigned to the fringes of the U.S. motion picture industry, Ulmer specialized first in "ethnic films," notably in Ukrainian—Natalka Poltavka (1937), Cossacks in Exile (1939)—and Yiddish—The Light Ahead (1939), Americaner Shadchen (1940). The best-known of these ethnic films is the Yiddish Green Fields (1937), co-directed with Jacob Ben-Ami. Ulmer eventually found a niche making melodramas on tiny budgets and with often unpromising scripts and actors for Producers Releasing Corporation (PRC), with Ulmer describing himself as "the Frank Capra of PRC". His PRC thriller Detour (1945) has won considerable acclaim as a prime example of low-budget film noir, and it was selected by the Library of Congress among the first group of 100 American films worthy of special preservation efforts. In 1947, Ulmer made Carnegie Hall with the help of conductor Fritz Reiner, godfather of the Ulmers' daughter, Arianné. The film features performances by many leading figures in classical music, including Reiner, Jascha Heifetz, Artur Rubinstein, Gregor Piatigorsky and Lily Pons. Ulmer did get a chance to direct two films with substantial budgets, The Strange Woman (1946) and Ruthless (1948). The former, featuring a strong performance by Hedy Lamarr, is regarded by critics as one of Ulmer's best. In 1951 he directed a low-budget science-fiction film with a noirish tone, The Man from Planet X. In 1964 he directed his last film, The Cavern, in Italy. Description above from the Wikipedia article Edgar G. Ulmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Director

1964
The Cavern

as Director

1960
1959
The Naked Venus

as Director

1959
Hannibal

as Director

1957
1956
1955
Murder Is My Beat

as Director

1955
The Naked Dawn

as Director

1954
1954
1952
Babes in Bagdad

as Director

1951
1951
St. Benny the Dip

as Director

1949
1948
Ruthless

as Director

1947
Carnegie Hall

as Director

1946
The Strange Woman

as Director

1946
1946
1945
Detour

as Director

1945
Strange Illusion

as Director

1945
Club Havana

as Director

1944
Bluebeard

as Director

1944
Minstrel Man

as Director

1944
Minstrel Man

as Second Unit Director

1943
Jive Junction

as Director

1943
Girls in Chains

as Director

1943
1943
My Son, The Hero

as Director

1942
Tomorrow We Live

as Director

1941
Another to Conquer

as Director

1940
1940
Goodbye, Mr. Germ

as Director

1940
Cloud in the Sky

as Director

1940
They Do Come Back

as Director

1939
Moon Over Harlem

as Director

1939
Cossacks in Exile

as Director

1939
The Light Ahead

as Director

1939
Let My People Live

as Director

1938
1937
Green Fields

as Director

1937
Natalka Poltavka

as Director

1936
From Nine to Nine

as Director

1934
The Black Cat

as Director

1934
Thunder Over Texas

as Director

1933
Damaged Lives

as Director

1931
Aloha

as Assistant Director

1930
People on Sunday

as Director

1926
The Border Sheriff

as Assistant Director

1924
The Last Laugh

as Assistant Director

1924
The Finances of the Grand Duke

as Assistant Director

Art

1961
1952
Babes in Bagdad

as Production Design

1944
Minstrel Man

as Production Design

1943
Hitler's Madman

as Production Design

1939
Way Down South

as Art Direction

1939
The Light Ahead

as Production Design

1934
The Black Cat

as Set Designer

1933
1933
Queen Christina

as Production Design

1932
Afraid to Talk

as Art Direction

1931
The Secret Six

as Production Design

1930
City Girl

as Assistant Art Director

1929
1929
Spiel um den Mann

as Art Direction

1928
4 Devils

as Assistant Art Director

1928
The Street of Sin

as Set Designer

1928
Spies

as Set Designer

1927
Metropolis

as Set Designer

1927
Sunrise: A Song of Two Humans

as Assistant Art Director

1925
Lady Windermere's Fan

as Art Direction

1925
The Joyless Street

as Set Designer

1924
1924
The Last Laugh

as Production Design

1924
The Finances of the Grand Duke

as Production Design

1924
1923
Merry-Go-Round

as Art Direction

1922
Sodom and Gomorrah

as Production Design

Writer

1946
1946
1943
1943
1943
1943
Corregidor

as Story

1943
Corregidor

as Screenplay

1943
Hitler's Madman

as Writer

1942
1940
Cloud in the Sky

as Screenplay

1939
1939
The Light Ahead

as Screenplay

1936
From Nine to Nine

as Original Story

1934
The Black Cat

as Story

1933
Damaged Lives

as Writer

Producer

1964
The Cavern

as Producer

1956
1940
Goodbye, Mr. Germ

as Producer

1940
Cloud in the Sky

as Producer

1940
1939
Moon Over Harlem

as Producer

1931
Tabu: A Story of the South Seas

as Production Manager

1930
People on Sunday

as Executive Producer

1929

Crew

1962
The World's Greatest Sinner

as Cinematography

1934
I Can't Escape

as Second Unit

Costume & Make-Up

1934
The Black Cat

as Costume Design

Editor

1931
Tabu: A Story of the South Seas

as Supervising Editor

Sound

1976
The Astrologer

as Production Sound Mixer