Martin Kramer
Biography
Martin Kramer is an American Artist born in New York City. He has been active since 2017. He co-founded the artist collective, THE END OF ART / THE END OF LOVE, with his childhood friend and fellow artist, Leo Rauf, in 2018. Later in 2018, Martin moved to Canada to study film at Concordia University. During his time studying, he directed five short films, The Tub (2018), Empty Nest (2019), the Blue Cowboy (2019), Mr. Quaratine's Haircut (2020), and Family Photos (2021). He also sound designed for the films of his classmates, such as N.U.N.S. with Nunchucks (2021 - Selected at Fantasia International Film Festival), Mango Lemon Soda (2022), NDDJ (2022 - Selected at RIDM). He was also was a programmer for the Concordia Film Festival (from 2020-2022). After completing his BFA, Marty became a freelance sound designer for films such as Ratgirl (2023). He also acted in short films, including My New Knee Movie (2023), the music video for Video Age's single, Record Shop (2024), and Pain Rat (2024). He is currently working on the post-production of his next short, Bella Gets Poisoned.
Known For
Writer
as Story
as Screenplay
as Story
as Writer
as Writer
as Screenplay
as Story
Sound
as Sound Designer
as Foley Artist
as Foley Artist
as Sound Designer
as Sound Effects
as Sound Designer
as Sound Editor
as Sound Recordist
as Sound Recordist
as Sound Editor
as Sound Editor
as Sound Recordist
as Music Supervisor
Actor
as Record Shop Owner
as Feldman
as European Film Actor
as Jeezus Kryst
as Martin Kramer (voice)
as Martin
as Martin
Producer
as Additional Production Assistant
as Producer
as Producer
as Producer
as Production Assistant
as Producer
as Producer
as Producer
as Production Assistant
as Producer
Editor
as Editor
as Editor
as Editor
as Editor
as Editor
as Editor
as Editor
as Editor
Director
as First Assistant Director
as Director
as Director
as Director
as Director
as Director
as Assistant Director
Crew
as Cinematography
as Cinematography
as Cinematography
as Cinematography
Visual Effects
as Animation
Art
as Swing
Camera
as Camera Operator