Ozualdo Ribeiro Candeias

Personal Info

Known For Director

Gender Male

Birthday 1918-11-05

Deathday 2007-02-08 (88 years old)

Place of Birth Cajobi, São Paulo, Brazil

Also Known As Ozualdo R. Candeias

Ozualdo Ribeiro Candeias

Biography

Ozualdo Ribeiro Candeias (1918 – 2007) was a Brazilian screenwriter, editor, photographer, director of photography, actor, producer and filmmaker. Candeias is believed to have been born in 1918, but was only registered in the town of Cajobi, in the state of São Paulo, in 1922. He worked in a number of jobs, from aeronautics sergent to truck driver. A self-taught filmmaker, he released his debut feature "A Margem" in 1967, a starting point for the Cinema Marginal movement (also dubbed Cinema de Invenção), which would forever change paradigms in the history of Brazilian cinema. Longing for distribution company for it, he turned to the Boca do Lixo, a block in downton São Paulo then known as a stronghold to independant filmmakers. A passionate advocate for the Boca, he paid homages to it in both short and feature films. His work is composed of numerous shorts and feature-length films, mostly depiciting life of communities either in urban or rural Brazil dealing with life in poverty. Among the genres Candeias has worked with are horror, western, exploitation and drama, although his films are hard to categorize due to their experimental nature. Although a few of his features met commercial success, such as 1969s "Meu Nome É Tonho", Candeias' films had a notoriously small audience during his lifetime. "Caçada Sangrenta" (1974) and "A Freira e a Tortura" (1983), two of his features aimed at a more conventional public, emerged from a deal with producer/actor David Cardoso, who had previously starred in "A Herança" (1971), Candeias' take on Hamlet reimagined as taking place in rural Brazil. Candeias' picture "Aopção ou As Rosas da Estrada" (1981) won the Bronze Leopard at the Locarno Film Festival. His last feature, "O Vigilante" (1992), won the Special Jury Award at the 25th Brasília Film Festival, but was never distributed at the theatres.

Known For

Director

1993
1992
O Vigilante

as Director

1992
A América do Sul

as Director

1990
Lady Vaselina

as Director

1989
Mister Power

as Director

1987
1984
1981
The Option

as Director

1976
1976
O Candinho

as Director

1976
1974
Caçada Sangrenta

as Director

1974
Zézero

as Director

1972
O Desconhecido

as Director

1970
The Inheritance

as Director

1969
My Name is Tonho

as Director

1968
Trilogy of Terror

as Director

1967
The Margin

as Director

1964
At Midnight I'll Take Your Soul

as Assistant Director

1955
Tambaú

as Director

Writer

1992
O Vigilante

as Writer

1987
1981
The Option

as Screenplay

1978
Desejo Violento

as Screenplay

1974
1974
Zézero

as Screenplay

1972
O Desconhecido

as Writer

1970
The Inheritance

as Writer

1969
1967
The Margin

as Writer

Camera

1993
Cinemateca Brasileira

as Director of Photography

1992
O Vigilante

as Director of Photography

1988
Rastros na Areia

as Director of Photography

1987
The Beauties of Billings

as Director of Photography

1982
Desejos Sexuais de Elza

as Director of Photography

1982
Manelão, o Caçador de Orelhas

as Director of Photography

1981
The Option

as Director of Photography

1980
O Cangaceiro do Diabo

as Director of Photography

1974
Zézero

as Director of Photography

1973
Maria... Sempre Maria

as Director of Photography

1973
Brás

as Director of Photography

1973
A Noite do Desejo

as Director of Photography

1972
Com a Cama na Cabeça

as Director of Photography

1970
The Inheritance

as Director of Photography

Producer

1992
O Vigilante

as Producer

1992
O Vigilante

as Executive Producer

1981
The Option

as Producer

1974
Zézero

as Producer

1970
The Inheritance

as Producer

Editor

1993
1981
The Option

as Editor

1967
The Margin

as Editor

Crew

2003
As Tranças de Maria

as Supervising Technical Director

1985
Boca Macia

as Cinematography

1984
The Nun and the Torture

as Cinematography

1978
Devil Nymphs

as Cinematography

Art

1970
The Inheritance

as Production Design