Rogério Sganzerla

Personal Info

Known For Director

Gender Male

Birthday 1946-11-26

Deathday 2004-01-09 (57 years old)

Place of Birth Joaçaba, Santa Catarina, Brazil

Rogério Sganzerla

Biography

Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement. Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics. Sganzerla was born in Joaçaba, in the state of Santa Catarina, but moved with his family to São Paulo at a very young age, living there for most of his life. During the 1960s he wrote for the newspaper "O Estado de S. Paulo" ("The State of S. Paulo") as film critic, quickly being recognised as a young talent. In 1967, Sganzerla directed his first short film, "Documentário" ("Documentary"), winning an award at the JB-Mesbla 16mm Festival. "Documentário" was quickly followed up by his first feature-length film in 1968, "O Bandido da Luz Vermelha" ("The Red Light Bandit"), which became a landmark for the movement known as Cinema de Invenção or Cinema Marginal and is still Sganzerla's most well-known film. In 1970, he founded the "Bel-Air Filmes" production company along with fellow Cinema de Invenção filmmaker Júlio Bressane. Headed by Sganzerla, the company produced his films "Copacabana Mon Amour", "Carnaval na Lama" and "Sem Essa, Aranha" and Bressane's "A Família do Barulho", "Barão Olavo, o Horrível" and "Cuidado, Madame", all shot in Brazil during four months of 1970 and edited abroad, in England, when both Sganzerla and Bressane were banished from their home country by the then rulling military dictatorship. While in exile, both Sganzerla and Bressane continued to shoot new films. Sganzerla's personal obsessions, such as director Orson Welles (and his infamous visit to Brazil) and musicians Noel Rosa and Jimi Hendrix, appear in many of his films, going as far as being the main subject in some of them. In 1985, Sganzerla directed the docufiction "Nem Tudo É Verdade" ("It's Not All True") about Orson Welles' arrival in Brazil to film his unfinished documentary "It's All True". Sganzerla died in 2004, of a brain tumor, shortly after finishing his last film "O Signo do Caos" ("The Sign of Chaos"). Description above from the Wikipedia article Rogério Sganzerla licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Director

2003
The Sign of Chaos

as Director

2001
B2

as Director

1997
It's All Brazil

as Director

1992
Oswaldianas

as Director

1992
Perigo Negro

as Director

1990
Isto é Noel Rosa

as Director

1990
Welles' Language

as Director

1990
Anônimo e incomum

as Director

1986
It's Not All True

as Director

1983
Irani

as Director

1981
Brasil

as Director

1981
Noel por Noel

as Director

1977
The Abyss

as Director

1970
No Way, Spider

as Director

1970
1970
Carnaval na Lama

as Director

1969
1969
1969
Comics

as Director

1968
1966
Documentário

as Director

Writer

2018
My Calendar Girl

as Screenplay

2003
2001
B2

as Writer

1997
It's All Brazil

as Writer

1990
1986
1983
Irani

as Writer

1981
Noel por Noel

as Writer

1977
The Abyss

as Writer

1970
Copacabana Mon Amour

as Screenplay

1970
1970
No Way, Spider

as Writer

1969
1969
1968
1966
Documentário

as Writer

Editor

2003
2003
2001
B2

as Editor

1983
Irani

as Editor

1981
Brasil

as Editor

1981
Noel por Noel

as Editor

1977
The Abyss

as Editor

1970
No Way, Spider

as Editor

1966
Documentário

as Editor

1966
Eye for an Eye

as Editor

1966
The Interview

as Editor

1966
O Pedestre

as Editor

Producer

2003
The Sign of Chaos

as Producer

1997
It's All Brazil

as Producer

1981
Brasil

as Producer

1981
Noel por Noel

as Producer

1977
The Abyss

as Producer

1970
1970
Watch Out, Madame

as Producer

1970
1969
1968
1966
Documentário

as Producer

Sound

1997
It's All Brazil

as Original Music Composer

1970
1969
Comics

as Music

1968
The Red Light Bandit

as Original Music Composer

1966
Documentário

as Sound

Crew

1975
1970
The Monsters of Babaloo

as Cinematography

1968
Garden of War

as Additional Writing

Camera

2019
Extracts

as Director of Photography

2005
A Miss e o Dinossauro

as Camera Operator

2003
Reinvenção da Rua

as Camera Operator

Costume & Make-Up

1977
The Abyss

as Costume Design

1969
The Woman of Everyone

as Costume Design

Art

1969
The Woman of Everyone

as Production Design